Most people seem to have seen the film, whereas I
haven't, apart from the final few minutes when it was on TELLY once. As for the
original book by Roald Dalh, it seems to be one of the few books of his that I
haven't read. So, I went into the Cambridge Theatre, with no preconceptions of
the story.
Saying that though, I am a huge fan of both Roald
Dalh and Tim Minchin, and thus I knew it had to be good. The reviews have all
been glowing, and the performances of songs from the show that I have seen on
the TELLY, have made me want to go and see it even more. However, it is
expensive, even by usual West End standards, and booked up weeks in advance, so
it unfortunately isn't the sort of musical you go see on a whim.
However, all things eventually came together, and
last week we went and saw it. Even with my high expectations, it did not
disappoint on any level. First impressions are crucial people always say, and
in comparison to all other theatres I have graced with my presence, this is
certainly the best. The interior of the Cambridge Theatre was quite spectacular
from the moment you walk in the doors, and as you walk down the corridors. Then
you walk into the auditorium, and it is as if the set design has exploded
outwardly.
As set designs go, it is certainly the best, and it
is understandable why it has won two awards. It makes a lovely change to feel
as if you're sitting in the middle of what is happening on stage, as opposed to
just watching. The performers regularly run up and aisle, which adds towards
that feeling, but means if you have an aisle seat, which I did, you have to
make sure to keep your feet well and truly tucked away.
However, and this is my only criticism, one of them
isn't good at running through the audience, as he side-swiped me with his arse,
and briefly slipped out of character to give a quiet wail of pain. Ever since,
I've felt a bit self conscious of the size of my shoulders.
All the children are brilliant too. They look
great, act, sing and dance fantastically, and have great personalities that
shine through, and you cannot help but fall in love with them; they're simply
just adorable. And the production crew make sure that they get their
monies-worth from them, by making them push props into position, instead of
hiring additional stage hands.
It is hard to pick a favourite child, because they
all done a perfect job; better than some older and more experienced West End
actors I have seen perform. However, the teen who played Matilda's sullen
teenage brother, wearing a hoody with the word 'Genius' stitched on, had me
laughing the most, as he sat doing nothing, breaking only to shout TELLY or
BACKWARD at the correct point in the script or song.
Overall though, Matilda the Musical was a
masterpiece. It will make you laugh out loud, and then sit in stunned silence,
as it pulls at your heart strings minutes later in the same scene. Then they
soon have you on an even bigger high. The songs all fit in brilliantly, and are
catchy and funny, with Tim Minchin's musical style peering through. The story
has been adapted, with additional material that manages to be in Roald Dalh's
quirky manner, and characters that look like their illustrated counterparts
from the original book. If he were alive today, it is hard to believe he
wouldn't be proud.
1 comment:
Which Matilda did you see??
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