After
their last album, Overexposed, I was dreading this one. After hearing
that a new album would be released in 2014, I was excited whilst also cowering
behind my hands at the risk of being severely disappointed again. I saw the
track listing, and the song titles didn't impress. I saw their understated
front cover, with the florescent 'V', and had an incline that it would contain
electronic sounds I'm not keen on. Then I saw the 'Parental Advisory' logo and
I could feel my heavy heart. I was setting myself up for heartbreak, but I
still pre-ordered the album… This is my mostly upbeat review, song by song:
Maps: When I heard this song back in
June, I tentatively loved it instantly. A great catchy song, with meaningful
lyrics which tell a story about being hurt in love, and trying to get the other
person back, and those emotions shine through. It's a song that fits in with
modern music, but still has the same ingredients of Maroon 5's earlier
music. Plus, it was written with Ryan Tedder of OneRepublic, who seems unable
to write an unsuccessful song at the moment. An early favourite.
Animals: There is a theme developing early
in the album with hints of the dreaded autotune. This is also very
repetitive, with the word 'Animals' being sung to death, and stupid sounds such
as 'Ny Ny Ny'. Of course, it is still a catchy song, and is a song using sounds
much more like they're recent stuff. However, despite being an obvious
metaphor, the Animal/Sex metaphor is done quite cleverly.
It
Was Always You: I
heard this song a few weeks back, and initially I was disappointed. This has an
autotuned sound to it which immediately put me off. However, on reflection I
think that might just be Adam Levine's voice. So, once I had seen past that,
the song harks back to their It Won't Be Soon Before Long album, and
after a few listens, the song does imbed itself in your head. Also, as always
with Maroon 5 songs, I really like the lyrics.
Unkiss
Me: I'm not keen on
the music, as it seems like it should be a gangster hip-hop song at the start,
but it progressed in an intuitive manner, and despite that, it is a slow and
poignant song. The song also sounds well produced, because more often with this
music, the voice can get lost. As the song started, I didn't expect to like it,
but it is really catchy, of the time, and a very beautiful song; both in terms
of lyrics and voice.
Sugar: Electronic vibe, which I think
works well with Levine's voice, and a very summery song; it's a shame this
album has been released at the start of Autumn. This song makes great use of
how high his voice can go (one to rival the Bee Gees). Again, it's a
very catchy song and I really love the chorus for its juxtaposition between
high, and well, not quite so high, voice. Possibly a favourite for me.
Leaving
California: This
song would fit in so well on their Songs About Jane album, and is a
masterpiece of a song from Maroon 5. Of course it is catchy, and of
course the lyrics are perfect, and of course Levine's voice is pouring with
emotion. It's got a positive and upbeat tone, and it's one of those songs that
I think could lift the spirits of a crap day; which is nice between the songs
about failed love. However, the song doesn't necessarily end; it just stops.
This is the one negative point I can say about this song; it just sounds like
the CD has malfunctioned.
In
Your Pocket:
Slightly oriental twang at the start, which seems pointless… But the lyrics
have a fast pace, and that drives the song and it's gorgeous! The music is
minimal. It's catchy, the lyrics are clever in how they tell the story, and it sounds
like one side of an argument, about not trusting your partner.
New
Love: Return of the
autotune, which one has to admit doesn't sound too bad with the electronic
vide. This is possibly my least favourite thus far, partly because it has
unnecessary swearing, partly because Levine's high pitched voice is a bit
annoying and repetitive in this song, and also because it's just a bit too
club-like for my liking. Bu having said all that, it's alright.
Coming
Back For You: The
opening drums sound like those from Phil Collins's In The Air Tonight.
Regardless, the song is good with their usual mix of great lyrics and music,
which are catchy. I like it, but it's a 'meh' song.
Feelings: This song has such an electronic
feel, that I'm convinced the introduction was originally a ringtone for a Nokia
phone from 2002. Again, it also has needless and repetitive swearing, but I
like the catchiness and the lyrics again. Apart from the distinctive voice
though, I wouldn't have linked this song with Maroon 5, and although I
fits in with the album, I'm not sure it's necessarily 'them'. Also, I can't
help but think though, that this song should be sung by a woman.
My
Heart is Open feat. Gwen Stefani:
Speaking of which, here is a duet with a female. This is a stripped back song
in comparison to the past few, and it is welcome relief. Their voices work
really well together, but I do wish there was more of Gwen Stefani; as I can't
help but think Levine keeps interrupting her. Duets are
the 'thing' at the moment, and this fits in well amongst them. Again, it has
lots of emotion, and the lyrics are good, if not slightly lacking what some of
the other songs have.
Shoot
Love: This has a
Mark Ronson sound to it, which I used to really like (whatever happened to him
incidentally?). Very catchy song, with interesting sounds which alter the mood
and pace of the song. Lyrics are nothing to be amazed by, but the actual music
and production are top-notch.
Sex
and Candy: Another
stripped back song, and is an unexpected treat. The title had me expecting
another electronic-heavy song, but instead it's just Adam, a drum, a keyboard
and guitar. Very soulful, and it's great to be able to hear his voice in this
style of music. You can't help but just slowly move your body to the song.
Also, the song ends on a long, drawn-out fade, which rounds off nicely and is a
lovely change from the abrupt endings featuring on the rest of the album.
Lost
Stars: This is a
song from a film I haven't seen (Begin Again) featuring Levine in an
acting role (and officially, it's just an Adam Levine song). I downloaded it
separately a few weeks earlier because it is a beautiful song, and it got me in
the mood for this album (plus I hadn’t realised it was on this album). It is
again another song which sits perfectly amongst their earlier songs, and it
just makes me smile. It has a great musical and emotional progression, and OF
COURSE, the lyrics are fabulous, and I love how Adam Levine sings it. A lovely
end to the album and one of my all-time favourties. Incidentally, look up the
other song he sung for the film, A
Higher Place: That is a Songs About
Jane song through and through.
After
my first listen, I was excited. Our love affair was back on track. Of course,
they have annoying habits, but they're subjective. For example, despite moaning
about the repetitive 'Ny Ny Ny' of Animals, I spent the rest of the day
singing that over and over in my head. Just like in a loving relationship, the
other person will have annoying habits, but I'm not sure I'd change them.
Whether it's their insistence on using electronic beats, the fact they swear
too much, or the their resolve to never put things back where they belong.
I
really love the album, and it has made me very happy. Favourite songs include Maps,
Sugar, Leaving California, In Your Pocket, My Heart is
Open, Sex and Candy, and Lost Stars. I can class half this
album as being favourite songs of mine, and that's really good going. There is
a real mix of music between them, and yet they're songs that are all perfect in
different ways. They have really outdone themselves this time.
I've
perhaps been a bit too negative to other songs, but it all about personal
taste. Even though I can swear with the best of the drunken sailors, I hate
unnecessary swearing in comedy, literature and music. Unless you're portraying
real anger, I just think there can always be a better word. Look up a song
called Up Here by Terra Naomi. Now she swears perfectly. It is more
than just a swear word. It holds power because you just understand how angry
and frustrated she feels. Anyway, I'm off point.
This
is a brilliant Maroon 5 album for three reasons: Firstly, it has roots
that go all the way through their past albums, and it draws on what their fans
really loved about them 10 years ago, such as their emotive lyrics. Secondly, it
isn't a complete change of direction from Overexposed, so it keeps the
best of those songs, and it keeps their new fans loyal too. Ultimately, this is
an album which showcases their evolution. But thirdly, the album has been
produced marvellously. I think it has to be one of the best-produced albums
I've heard for a long time.
Overall,
they've done a perfect job, despite Adam Levine's silly new hairstyle, and the fact there is now 6 of them...