Monday 20 December 2010

The Facebook Factor

I protest that Facebook is ruining almost every aspect of every normal person’s life. Facebook has ruined socialising for 500 million people as their entire life is now planned around Facebook. Facebook is a way of spreading hate for one person over the entire world; like Cat Bin Lady. Facebook ruins TV, with most adverts and programs having an official Facebook page where people can post live comments. Facebook ruins the radio with presenters endlessly plugging their Facebook page for their show or radio station. Facebook now vows to ruin music in a more destructive way than when Katie Price tried her hand at singing. Users of Facebook, through the power of 'Likes', campaign to end The X factor's grip of the UK Singles chart; particularly at Christmas.
I'm not the biggest fan of The X Factor. I will watch it if I'm home and there is nothing else on TV (so that was most weeks). I watch it more to laugh at and definitely not to enjoy a few hours of perfectly pitched singing. This year, The X Factor had all the usual ingredients which it has every other year, apart from Pregnancy and Malaria; those were added seasoning. We had the auditions which consisted of a mixed bag of talent. It had those that were truly terrible, who were laughed at and mocked like a dancing bear with a nose stud. It also had those who were amazingly average, who everyone cheered and clapped at and also got praise from all the judges.

It had fights and scuffles which are normally directed at the judges, but this time it was a double act of teenage hippopotamuses that turned on each other. It also had the acts that were there just for the comedy value that it added to the show, and caused great publicity. That roll fell to Wagner (Pronounced 'Varg-ner') who was a retired Brazilian P.E. Teacher (Pronounced 'Per-vert') who seemed to be giving a monologue, in a slightly camp German accent to the tune of music, while dancers twirled around him. Essentially, just think Jedward in 50 years, after one of them got murdered by someone baring Jedward's debut album as a weapon.
Those two lovely girls I was just telling you about...
Wagner. What else do I need to say?
It had over exaggerated bitchiness between the judges too; mostly directed at poor Louis Walsh. Dannii Minogue regularly retorted to any criticism Louis had for Dannii's acts. Simon Cowell would scowl judgingly at any chance he got, as if Louis had just taken off all of his clothes and had put his pants on his head while singing a Westlife song. Then Cheryl Cole would look puppy-eyed at Simon, begging for praise after every song and have a paddy every time he said something negative. Just like every year.

The X Factor also had a selection of other singers who were not Wagner. Most of them were average. The type of singers you find drunk over a karaoke machine in a pub, screaming 'Angels'. Most of them I can't actually remember their names, but then I suppose that is because I have stored more important information in my head. You know, like the capital of Costa Rica being San Jose, where I left my car keys or how much cheese we have left in the fridge; you know, the important stuff.

I know that the final consisted of four acts: Cher Lloyd came fourth and she was a teenage girl with a dream. A dream to sing. She made this known all the time, thus why everyone thought of her as this cocky little girl. She wanted to be more of a hip hop, R&B singer, so she had no chance of winning a pop contest. A band of hairless monkeys called One Direction came third, and these were Simon's little clones. He wanted them to win. His face was a picture when they went out. A Geordie woman came second, who was a spectacularly average singer, who was actually quite nasally and the only person who could understand her was Cheryl.

The winner, and holder of Christmas Number One 2010, was a bloke called Matt Cardle. He was a painter and decorator who liked wearing flat caps. Incidentally, if you had him booked to paint your lounge in the New Year, I would consider finding yourself someone else - I don't think he will be turning up. He was the best of a bad bunch in my opinion; above average, but not exactly the best singer you will ever hear. His single was a cover of Biffy Clyro's song 'Many A Horror', which Simon Cowell decided to rename 'When We Collide' for reasons which are obvious to absolutely no-one.
Here is your champion!
So, another Christmas, and another Christmas Number One which is in no way related to Christmas. A shame, but I'm not particularly bothered. Last year had the overly popularised Facebook campaign to get Rage Against The Machine to be Christmas Number One, in protest of Simon Cowell stubbornness. They managed it and Joe McElderry never got the Festive Chart Position he aimed for. This year saw two Facebook Campaigns. One was to get the original Biffy Clyro song to the glorious chart position. They managed 8th. A second campaign was to get 'The Bird Is The Word', a song shoved into the modern public domain by Family Guy, to lead the chart. This managed 3rd. It seems the Facebook campaigns didn't work this year; or as Facebook users might put it - It was an Epic Fail.

The worst protest against The X Factor was 'Cage Against The Machine', which was essential a group of a few dozen so-called 'real rockers', crowding into a tiny room to shuffle about and recreate John Cage's 4'33" – or other words – silence. This got to 21 in the Chart. This shambolic revolution was led by many people, but most notably Pete Doherty.

Now, I think it would have been better to put together a real Christmas song. You know, one with lyrics and instruments that is original, and not an incredibly vain attempt to be a bit of a profanity.

In the words of Kirsty MacColl "You Scumbag, You Maggot, You cheap lousy Faggot", go write a decent Christmas song next year, instead of sitting behind your iPad and complaining about The X Factor being Number 1 again.

No comments: