Mark Watson - Flaws

In 2011 I went and saw Mark Watson live. You can read the review here if you want. I loved it. He was a break from the normal stand-up. Most will have a lesser-known stand up perform half an hour of material, before an interval and then the main event. The comedian then slips off, comes back on stage, and then disappears after receiving a few more laughs. Mark Watson does none of that, and it's brilliant. One could be mistaken for thinking he has no clue what is going on; but I think it's more a demonstration that he knows better than most comedians, what is happening.

On Sunday, I went and saw him again at The Gulbenkian, Canterbury, and it was very much a similar format to when I saw him on his 'Request Routes' tour. Not much has changed, apart from having slightly more facial hair, being spectacleless, and less Welsh.

'Flaws' has no definable beginning. Last time he began by speaking to the audience via typing on a laptop screen. This time he came on stage and began jogging on a treadmill, of which a microphone stand placed conveniently in front. This, as he put it, was his warm up. He chatted to the audience, and made general observations about the audience for nearly 10 minutes. He then walked off stage before immediately reappearing and commencing the show.

He is incredibly endearing, and it's hard to not fall in love with him, just a little bit. His body language is always relaxed, and does everything he can to break down the barrier between him and his audience, such as holding the microphone low. Another technique, and perhaps a more sinister one, is looking up members of the audience on Twitter. The amount he knew one member of the audience, such as televisual habits and pets, is a scary reminder of the times we live.

As always, his comedy comes from his real life. To reuse a sentence from my last review of Watson, 'He is very much the raconteur'. However, unlike last time, this was much more personal. In this tour, unsurprisingly, he talks about the flaws which have obviously, over the past year or so, made themselves apparent to him. He shows that there is a faint line between comedy and tragedy, as his main topics for discussion cover his reliance on drink ("If only there was a word like workaholic that describes drinking too much alcohol"), and hating, and losing confidence in, his own work. It then made me look at his 2011 tour in a different, darker, and unexpected light, as the veil was lifted.

But don't be thinking that this is a serious and dark show, because it is quite the opposite. He is refreshingly honest, but perhaps only showing the funny side of his problems. It is isn't until afterwards that you actually realise how frank he was. At the time, it is incredibly funny. Particularly when he opens up about his breaking point, which was at a Thomas the Tank Engine film premier with his toddler.

In a unique twist, he recreates the moment for the audience, for a quick moment of audience participation, props and music. You sit there in awe of what nightmare he has created in just a few moments, and it had the audience in fits of laughter. However, like always with a Canterbury audience, it's hard work for a comedian to get the audience to participate.

The show consists of a lot more than just chronicling his despair from the past year or so, as many of those themes are broken up by tangents about songs, his 'personal' relationship with Madonna, and irritation at Keep Calm merchandise. It is put together beautifully. And unlike a lot comedy shows, it has final message, which is quite enlightening and optimistic; "Being human is bloody hard" but, to paraphrase, we can find comfort in remembering that we're better than cats and worms. And then after checking the time with an audience member like he seems to always do, he did his usual self-promotional admin before leaving the stage.

I certainly hope I get the opportunity to see him next time he tours (not that he has even finished this tour yet), as I find real joy in seeing him live. He has become like a friend, and I probably know more about him than I do most of my friends. The one qualm with this show was that, despite still consisting of over 90 minutes of material, it didn't feel long enough. And if that's the only negative point I can think of, then it isn't bad going.

The last stand up show I went to see was at The O2, and coming back to this few-hundred seater, I appreciate it's intimacy a lot more. Comedy just isn't the same in those places and you can never beat a small, local theatre. And if you can see a brilliant comedian like Mark Watson at one, then you can't wish for anything better.

Lee Evans @ The O2 Arena

I've seen many things at different arenas over the past few years, and enjoyed them all thoroughly. However, I have always been sceptical of comedy in them. I've seen countless comedians in small venues, and loved the atmosphere that resides in those places. There is an intimacy between the comedian and their audience, which makes you feel comfortable and adds to the enjoyment. That was always going to be impossible to emulate in a 20,000 seat arena. However, comedy shows in arenas are hugely popular now, so I have always been intrigued.

On Saturday 4th October, I went to the O2 Arena, with the other half and friends, to see Lee Evans. These are tickets I had to buy 18 months in advance, in the hope that one of us didn't die, fall out, emigrate, or more likely, be busy on the day. It's quite a commitment to make, and a price to pay. I'm used to paying £10 to see comedians in a 300 seat theatre, brought a few months in advance. This is a different experience.

However, it was a great evening. He was gloriously funny, with a sweaty glint on his forehead. We laughed throughout, and all ended the evening with sore throats and aching bellies. The couple in front of us commented on how hard and loud my other half was laughing; luckily, she described it as 'infectious' rather than 'irritating'.

It was Lee Evans as you would expect. Lots of physical comedy accompanied by sound effects, and many fantastic observations about the many aspects of life, which had the audience laughing and cheering. If you like his previous stuff, then this is more of the same. And to think he did two and a half hours of stand up, and it was almost all new material, that is just as good as anything else he's done before, is quite impressive.

The interesting thing will be watching the DVD, as he almost self-edited it while he was performing. Jokes about Peter Andre and Katie Price he admitted crossed a line, but my favourite joke of the night was about Rolf Harris. He isn't a comedian who tends to do anything topical, but he can do it brilliantly; even if he cuts the evidence out of his DVD.

Despite completely enjoyed it (and don't get me wrong, I don't regret going in the slightest), my fears were met and I ended up watching the majority of it on the big screens, instead of actually looking at him on stage. It makes you ponder the purpose of being there, as opposed to just buying the DVD a few months later. But the atmosphere was brilliant, and it was heart warming to watch him on stage, receiving the huge round of applause, and still seeing him so humble. And at the end, he seemed to be genuinely grateful.

Of course, he ended on a self-penned song like he has on his last few tours. They're not funny, but again an example of how sincere he is, and always tend to be a beautiful song for his wife. He also performed his visualisation of the lyrics to Bohemian Rhapsody, which is perhaps one of the things he is most famous for now. It is a great example of his ability to do physical comedy brilliantly, much like Norman Wisdom (Not an original observation, but still one I agree with).

Overall, it was a brilliant experience, and Lee Evans is perhaps one of the best comedians around, in terms of his dedication, talent, and just general personality. He is much loved, and I cannot wait to get the DVD to watch again.

I never for one second doubted it would not be the case, as just over a year ago, we saw him live in the West End performing in the play Barking in Essex, in which he was an absolute joy to watch.

However, whether I would go to an arena again to watch a comedian, I'm more doubtful of. I stick to my belief of comedy being better in a theatre.

P.S. Below is a video of Lee Evan performing Bohemian Rhapsody. Enjoy.

McFly and Busted Travel Back to the Future

Pop conglomerate McBusted provided an entertaining trip back into my early teens at The O2 London. The new pop supergroup packed the arena full of old and new fans alike, and have potentially created a union that could have a bright future.

I was skeptical for how the evening was going to pan out, after getting a pounding, irritating headache from their warm up acts. Young Brando were good, and the sort of band I would have really liked 10 years ago; they could go far. Vix consisted of a red-headed female singer, who shouted covers pleasantly enough to get attention.

However, The 3 Dudes were on the cusp of ruining my evening entirely. They shouted and screamed into their microphones like boys singing in a garage. They were young, irritating, American and immature, talking about third nipples and other such nonsense. Their music was far too loud, and voices far too high. I felt ill by the time they finally left the stage. Music, it was not.

Review: Maroon 5 Live at The O2, London

I have never been to the O2 arena, so on the 11th of January 2014, Maroon 5 and Co took my virginity. However, I had to wait a long while for my first time. We had planned to have our first time back in June last year, but due to American TV commitments, they cancelled on me, with a note to say I'd have to wait more than 7 months before we would try again.

A promo photograph...

So, the months ticked away, and the dome teased me every morning on the way to University as I went past on the DLR. All I could think about was the night we would finally get to spend together. Then the tickets came through the post. It meant, this was finally going to happen. Then the night came...